Ray Manzarek On The Doors’ “Live At The Bowl ’68”: “Those Four Guys Were The Four Horsemen Of The Apocalypse!”
In stores now is the newly reissued live Doors concert film, Live At The Bowl ’68, which shows the band at the peak of their powers. The L.A. band had, in just a few years, gone from playing clubs on the Sunset Strip to the hallowed Hollywood Bowl. At the time, it was a rare occasion that rock and roll music would grace that stage, more often used for orchestras.
Keyboardist Ray Manzarek told CBS Local that some of his, and the band’s, favorite artists had played that stage, so it meant a lot for them to be booked at the venue. “It was momentous. That was the granddaddy of all venues in southern California. Igor Stravinsty conducted there! The Beatles played there! And we were playing at the same place. But up to that point, very few rock bands played there. We were very honored.”
So, had Jim Morrison survived, The Doors wouldn’t likely have done a 24-camera shoot to preserve their concert performances for the ages. But how big would they have gotten? After the Hollywood Bowl, they became even more popular, and headlined Madison Square Garden. Had The Doors survived through today, would they, like the Stones and Paul McCartney, have upgraded to football stadiums? “I’m not sure if you are still a rock and roll band or if you turn into a circus at that point.”
However, he notes that if the band had been popular enough, they most likely would have tried to play the largest venues possible: “It would have been a theatrical challenge to do something like that. The Rolling Stones do it on a grand scale. So what would The Doors have done on a grand scale? All things would have been possible, unfortunately Jim didn’t make it.” Referencing the massive popularity the band enjoys, decades after Morrison’s passing he says, “The Doors were an underground band, out of the mainstream. That’s where Jim and I always wanted to be. But I’d prefer to have the Doors’ music being played on a radio station in a gas station than not being played. We wanted our music to be heard by as large of an audience as possible.”