Bob Dylan Fires Back on Accusations of ‘Censored’ Show in China
Rumors that [lastfm link_type="artist_info"]Bob Dylan[/lastfm] had to “stick to the program” and censor his concerts while touring in Vietnam and China are false. And you know it has to be true, because those are the words straight from Dylan’s mouth.
Well, straight from his website. Which is close enough.
The rumors that [lastfm link_type="artist_info"]Bob Dylan[/lastfm] performed a censored setlist while touring China were put to rest following the show, but this is the first time Dylan has spoken up about anything, let alone the accusations surrounding his performance.
Maybe Dylan finally got around to reading the New York Times and caught the op-ed piece written by Pulitzer Prize winning Maureen Dowd in the archives. Dowd claims Dylan “may have done the impossible: broken creative new ground in selling out.”
Upon hearing of Dylan’s supposed pre-approved government setlist and lack of attention paid to China’s censorship crackdown, Dowd said of Dylan, “He sang his censored set, took his pile of Communist cash and left.”
Today, Dylan posted a letter on his website to fans and followers addressing the accusations:
To my fans and followers:
Allow me to clarify a couple of things about this so-called China controversy which has been going on for over a year. First of all, we were never denied permission to play in China. This was all drummed up by a Chinese promoter who was trying to get me to come there after playing Japan and Korea. My guess is that the guy printed up tickets and made promises to certain groups without any agreements being made. We had no intention of playing China at that time, and when it didn’t happen most likely the promoter had to save face by issuing statements that the Chinese Ministry had refused permission for me to play there to get himself off the hook. If anybody had bothered to check with the Chinese authorities, it would have been clear that the Chinese authorities were unaware of the whole thing.
We did go there this year under a different promoter. According to Mojo magazine the concerts were attended mostly by ex-pats and there were a lot of empty seats. Not true. If anybody wants to check with any of the concert-goers they will see that it was mostly Chinese young people that came. Very few ex-pats if any. The ex-pats were mostly in Hong Kong not Beijing. Out of 13,000 seats we sold about 12,000 of them, and the rest of the tickets were given away to orphanages. The Chinese press did tout me as a sixties icon, however, and posted my picture all over the place with Joan Baez, Che Guevara, Jack Kerouac and Allen Ginsberg. The concert attendees probably wouldn’t have known about any of those people. Regardless, they responded enthusiastically to the songs on my last 4 or 5 records. Ask anyone who was there. They were young and my feeling was that they wouldn’t have known my early songs anyway.
As far as censorship goes, the Chinese government had asked for the names of the songs that I would be playing. There’s no logical answer to that, so we sent them the set lists from the previous 3 months. If there were any songs, verses or lines censored, nobody ever told me about it and we played all the songs that we intended to play.
Everybody knows by now that there’s a gazillion books on me either out or coming out in the near future. So I’m encouraging anybody who’s ever met me, heard me or even seen me, to get in on the action and scribble their own book. You never know, somebody might have a great book in them.
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